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Theatrely's Off-Broadway review of Heathers The Musical back at New World Stages in New York City after ten years. The cult favorite musical stars McKenzie Kurtz, Casey Likes, Lorna Cortney, and more.

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Helena Bonham Carter Guides a Dreamy Dark Path in Punchdrunk’s Immersive VIOLA’S ROOM — Review

July 7, 2025

By

Juan A. Ramirez

on

July 7, 2025

A few months after Sleep No More ended its landmark run, Punchdrunk returns to New York with Viola’s Room, a smaller but even more all-consuming immersion that isolates, envelops and thrills. If that walkthrough theatrical experience emphasized the capabilities of physical storytelling, encouraging side quests and bewildered ogling at performers and fellow audience members, this one is all about the pensive powers of solitude and the inner mindscapes it can create. 

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LOWCOUNTRY Gets Low For High-Minded Social Drama — Review

June 26, 2025

By

Juan A. Ramirez

on

June 26, 2025

Theatrely's Off-Broadway review of lowcountry by Abby Rosebrock and directed by Jo Bonney at the Atlatnic Theater in New York City.

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Crushing Machinery - MACHINAL Review

June 21, 2025

By

Andrew Martini

on

June 21, 2025

Theatrely's Off-Broadway review of Machinal by Sophie Treadwell at City Center Stage II in New York City.
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Power, Privilege, and Royal Parlor Games In PRINCE FAGGOT — Review

June 20, 2025

By

Joey Sims

on

June 20, 2025

Theatrely's Off-Broadway review of Prince Faggot by Jordan Tannahill at Playwrights Horizon in a co-production with Soho Rep. in New York City.

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PROSPEROUS FOOLS Targets the Art x Philanthropy Set — Review

June 13, 2025

By

Juan A. Ramirez

on

June 13, 2025

Theatrely's Off-Broadway review of Prosperous Fools from Taylor Mac and directed by Darko Tresnjak at Theatre for a New Audience in New York City.

More reviews
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A Stellar POTUS At Geffen — Review

February 1, 2024

By

Alan Koolik

on

February 1, 2024

Theatrely's Los Angeles review of POTUS by Selina Fillinger.
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DAYS OF WINE AND ROSES; Two People (Sumptuously) Stranded at Sea — Review

January 28, 2024

By

Juan A. Ramirez

on

January 28, 2024

Theatrely's Broadway review of Days of Wine and Roses from Craig Lucas and Adam Guettel, starring Kelli O'Hara and Brian d'Arcy James.
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Let’s Remember OUR CLASS — Review

January 22, 2024

By

Andrew Martini

on

January 22, 2024

Theatrely's Off Broadway review of Our Class in Brooklyn Academy of Music.
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THE VOICES IN YOUR HEAD Finds The Weird Joy — Review

January 16, 2024

By

Nolan Boggess

on

January 16, 2024

Theatrely's Off Broadway review of The Voices In Your Head in Brooklyn
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OPEN MIC NIGHT Brings Weiss and Mounsey Back On Stage — Review

January 16, 2024

By

Andrew Martini

on

January 16, 2024

Theatrely's Off Broadway review of Open Mic Night at Performance Space New York.
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HAMLET丨TOILET Brings The Potty Humor — Review

January 12, 2024

By

Andrew Martini

on

January 12, 2024

Theatrely's Off Broadway review of HAMLET丨TOILET at Under The Radar Festival.
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PRAYER FOR THE FRENCH REPUBLIC Journeys To Broadway — Review

January 9, 2024

By

Joey Sims

on

January 9, 2024

Prayer for the French Republic bitterly reminds us that all of this has happened before, and most likely will again. In that sense, its timing remains sadly perfect.
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BUENA VISTA SOCIAL CLUB's Rhythm of Life - Review

December 13, 2023

By

Juan A. Ramirez

on

December 13, 2023

Theatrely's Off-Broadway review of Buena Vista Social Club, the new musical at the Atlantic Theatre in New York City
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HOW TO DANCE IN OHIO Boogies Onto Broadway — Review

December 11, 2023

By

Juan A. Ramirez

on

December 11, 2023

Theatrely's Broadway review of How To Dance In Ohio at the Belasco Theatre in New York City.
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MANAHATTA Comes Home, Late But Still Rich in Relevance

December 7, 2023

By

Joey Sims

on

December 7, 2023

Theatrely's review of Manhatta at the Public.
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Guerrilla Filmmaking in SPAIN — Review

November 30, 2023

By

Juan A. Ramirez

on

November 30, 2023

Theatrely's Off-Broadway review of Spain at Second Stage Theatre written by Jen Silverman and directed by Tyne Rafaeli starring Andrew Burnap and Marin Ireland.
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THE GARDENS OF ANUNCIA, A True Pleasure — Review

November 20, 2023

By

Joey Sims

on

November 20, 2023

Theatrely's Off-Broadway review of The Gardens of Anuncia at Lincoln Center Theatre by Michael John LaChiusa and Graciela Daniele in New York City.
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A New ARCADIA For Today — Review

November 20, 2023

By

Christian Lewis

on

November 20, 2023

Theatrely's Off-Broadway review of Arcadia by Tom Stoppard in a new production from Bedlam in New York City.
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MIND MANGLER Brings The Magic Off-Broadway — Review

November 19, 2023

By

Joey Sims

on

November 19, 2023

Theatrely's Off-Broadway review of Mind Mangler: A Night of Tragic Illusion from Mischief Theatre starring Henry Lewis and Jonathan Sayer now in performance at New World Stages in New York City.
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The SPAMALOT You Know And Love Is Back On Broadway — Review

November 16, 2023

By

Juan A. Ramirez

on

November 16, 2023

Theatrely's Broadway review of Spamalot starring Leslie Kritzer, Ethan Slater, and more now in performance at the St. James Theatre in New York City.
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SCENE PARTNERS; Just Out of Focus — Review

November 16, 2023

By

Juan A. Ramirez

on

November 16, 2023

Theatrely's Off-Broadway review of Scene Partners starring Dianne Wiest and written by John Caswell Jr. The play is now in performance at the Vineyard Theatre in New York City.
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WAITING FOR GODOT on an Endless, Aimless Road — Review

November 16, 2023

By

Juan A. Ramirez

on

November 16, 2023

Theatrely's Off-Broadway review of Waiting For Godot starring Michael Shannon and Paul Sparks. The play is now in performance at Theatre for a New Audience in New York City.
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DANNY AND THE DEEP BLUE SEA; Christopher Abbott and Aubrey Plaza Circle Moonlit Waters — Review

November 14, 2023

By

Juan A. Ramirez

on

November 14, 2023

Theatrely's Off-Broadway review of Danny and the Deep Blue Seat starring Aubrey Plaza and Christopher Abbott, written by John Patrick Shanley
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HARMONY, Finally On Broadway — Review

November 13, 2023

By

Joey Sims

on

November 13, 2023

Theatrely's Broadway review of Harmony The Musical by Barry Manilow and Bruce Sussman which opened tonight at the Barrymore Theatre in New York City.
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I NEED THAT Hoards Up Drama — Review

November 2, 2023

By

Juan A. Ramirez

on

November 2, 2023

Theatrely's Broadway Review of I Need That by Theresa Rebeck and starring Ray Anythony Thomas, Lucy DeVito and Danny DeVito at the American Airlines Theatre on Broadway in New York City.
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I CAN GET IT FOR YOU WHOLESALE: Alright Material, Great Value — Review

October 31, 2023

By

Juan A. Ramirez

on

October 31, 2023

Theatrely's Off-Broadway review of I Can Get It For You Wholesale at Classic Stage Company in New York City.
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STEREOPHONIC Hits All the Right Notes on Every Channel — Review

October 29, 2023

By

Juan A. Ramirez

on

October 29, 2023

Theatrely's Off-Broadway review of Stereophonic by David Adjmi and directed by Daniel Aukin at Playwrights Horizons in New York City.
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HERE WE ARE; There They Go — Review

October 27, 2023

By

Juan A. Ramirez

on

October 27, 2023

Theatrely's Off-Broadway review of Stephen Sondheim's final musical Here We Are which is now in performance at The Shed in New York City.
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Is Love on the Rocks? - THE ENGAGEMENT PARTY Review

October 18, 2023

By

Alan Koolik

on

October 18, 2023

Theatrely's review of The Engagement party, currently playing at the Geffen Playhouse in Los Angeles until November 5, 2023.
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GUTENBERG! THE MUSICAL! Reunites Rannells and Gad — Review

October 12, 2023

By

Juan A. Ramirez

on

October 12, 2023

Theatrely's review of the new Broadway musical Gutenberg! The Musical.
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MERRILY WE ROLL ALONG, A Spectacular Broadway Feast — Review

October 10, 2023

By

Kobi Kassal

on

October 10, 2023

Theatrely's Broadway review of Merrily We Roll Along by Stephen Sondheim starring Daniel Radcliffe, Lindsay Mendez, and Jonathan Groff, now in performance at the Hudson Theatre in New York City.
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BULRUSHER Stages the Dangers of Identification — Review

October 6, 2023

By

Nathan Pugh

on

October 6, 2023

Theatrely's review of Bulrusher at the McCarter Theatre Center written by Eisa Davis
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