Theatrely's Off-Broadway review of Arcadia by Tom Stoppard in a new production from Bedlam in New York City.

‍Camp Siegfried is currently playing at Second Stage’s Tony Kiser Theater through December 4.

Theatrely's Off-Broadway review of Circle Jerk by Michael Breslin and Patrick Foley in collaboration with Ariel Sibert and Cat Rodríguez and directed by Rory Pelsue now playing at the Connelly Theater.

Theatrely's Off-Broadway Review of Ana Nogueira's Which Way To The Stage at MCC Theater in New York City. Directed by Mike Donague, the show features Max Jenkins, Sas Goldberg, Evan Todd and Michelle Veintimilla.

Theatrely's Off-Broadway review of JC Lee's To My Girls at Second Stage’s Tony Kiser Theater in New York City directed by Stephen Brackett.

It appears that one of the major vibes, if you will, of post-quarantine theatre is tension, in particular claustrophobic, interpersonal tension that builds between people stuck in a small space or a single room. This mood permeates recent plays including Pass Over, Dana H, Is This A Room, Last of the Love Letters, The Fever, and now, Sylvia Khoury’s Selling Kabul at Playwrights Horizons. Of course, these plays all or mostly pre-date the pandemic, and yet after so much time being stuck inside, they feel different, more intense and real than ever before. The notion of a single-room play is nothing new, but now, after many of us have been living single-room lives, they have a newfound relevancy and relatability. They haunt us in ways that feel familiar.