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Off-Broadway
Reviews

THE VOICES IN YOUR HEAD Finds The Weird Joy — Review

By

Nolan Boggess

on

January 16, 2024

Theatrely's Off Broadway review of The Voices In Your Head in Brooklyn

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Theatre
Features

The State of the Theatre: Nathan Lane and Patti LuPone with A24

By

Nolan Boggess

on

October 18, 2023

Nathan Lane and Patti Lupone address the state of the theatre on A24's podcast.

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Off-Broadway
Features

My 13th Time At TITANIQUE | OPINION

By

Nolan Boggess

on

October 11, 2023

Nolan visited Titanique's first superfan performance and reports back.

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New York
Reviews

N O W I S W H E N W E A R E (the stars) Lights Up Brooklyn — Review

By

Nolan Boggess

on

December 21, 2022

Theatrely's review of Andrew Schneider’s guided installation N O W I S W H E N W E A R E (the stars) now playing at BAM in Brooklyn.

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New York
Reviews

HAMLET Smartly Traps the Audience in Its Madness – Review 

By

Nolan Boggess

on

October 31, 2022

Thomas Ostermeier’s adaptation of the Bard’s deadly tale stars Lars Eidinger in the title role at BAM as part of the company's Next Wave Festival.

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New York
Reviews

A LITTLE LIFE Is Bloody Trauma Turned Into Performance Art – Review

By

Nolan Boggess

on

October 24, 2022

Ivo Van Hove’s stage adaptation of Hanya Yanagihara’s novel played at BAM’s Next Wave Festival over the weekend. 

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New York
Reviews

FC Bergman’s 300 EL x 50 EL x 30 EL Shocks and Awes at BAM

By

Nolan Boggess

on

September 29, 2022

The work is now playing at the Brooklyn institution’s Next Wave Festival. 

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Opinion
Features

A Love Letter to GIRL FROM THE NORTH COUNTRY

By

Nolan Boggess

on

May 26, 2022

Theatrely is celebrating all six Tony nominees for Best Musical by writing an ode to each one. Kicking off the series is this heartfelt tribute to the Bob Dylan jukebox musical from Conor McPherson.

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Virtual
Features

Playwright Peter Gray Talks His New Comedy THE KARENS

By

Nolan Boggess

on

August 20, 2021

In Peter Gray’s new comedy The Karens, he deconstructs what it means to be a Karen through the lens of three high school besties all named… Karen. The show, directed by Michael Alvarez, is a hilarious exploration of privilege, reclamation, and interaction within the digital world. I recently caught up with the playwright and chatted about what it was like to create the piece.

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Chicago
Reviews

I HATE IT HERE at Goodman is a Cathartic End to a Dumpster Year — Review

By

Nolan Boggess

on

July 16, 2021

On a deeper note, I Hate It Here from the Goodman Theatre admits that so many horrible things in the world remain unchanged. The show does not suggest things will get better. Yet, if we take a moment to admit how bad things are, maybe we can find some common, solid ground. And that’s a start.

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Virtual
Reviews

SLOPPY BONNIE Brings Nashville To You — Review

By

Nolan Boggess

on

June 24, 2021

"Sloppy Bonnie: A Roadkill Musical for the Modern Chick" is streaming now through July 15 from No Puppet Co.

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Broadway
News

COME FROM AWAY Announces Broadway Reopening

By

Nolan Boggess

on

May 10, 2021

Junkyard Dog Productions has announced that the Tony and Olivier Award-winning musical Come From Away will resume performances on September 21, 2021 at the Gerald Schoenfeld Theatre.

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New York
Reviews

Under The Radar Festival's A THOUSAND WAYS is an Incredible Exercise in Intimacy — Review

By

Nolan Boggess

on

January 9, 2021

The production, part of The Public Theater’s 2021 Under the Radar Festival, reveals little to its two audience members before it begins. I was told to call a number at a certain time, where I would find a stranger on the other end.

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Virtual
Reviews

THIS IS WHO I AM Cooks Up A Deeply Moving New Work — Review

By

Nolan Boggess

on

December 13, 2020

The play, commissioned specifically for a digital platform, is the latest offering from PlayCo and Woolly Mammoth Theatre Company, in association with American Repertory Theater, Guthrie Theater, and Oregon Shakespeare Festival.

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Boston
Reviews

"State vs. Natasha Banina" Review - Arlekin Players Theatre and ArtsEmerson

By

Nolan Boggess

on

August 23, 2020

The Arlekin Players Theatre’s interactive performance proves that digital, distanced theatre can be a compelling medium. In fact, it’s a medium with incredibly high stakes.

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