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Nolan Boggess is a director and writer living in Brooklyn. Originally from Iowa, Nolan’s theatre obsession began with the VHS of Cats and one too many productions of The Music Man. A graduate of Grinnell College, Nolan currently works as a COVID Safety Manager on Broadway. He is so thrilled to be apart of the Theatrely team - say hi to him on social media!
Theatrely's review of Andrew Schneider’s guided installation N O W I S W H E N W E A R E (the stars) now playing at BAM in Brooklyn.
Thomas Ostermeier’s adaptation of the Bard’s deadly tale stars Lars Eidinger in the title role at BAM as part of the company's Next Wave Festival.
Ivo Van Hove’s stage adaptation of Hanya Yanagihara’s novel played at BAM’s Next Wave Festival over the weekend.
The work is now playing at the Brooklyn institution’s Next Wave Festival.
Theatrely is celebrating all six Tony nominees for Best Musical by writing an ode to each one. Kicking off the series is this heartfelt tribute to the Bob Dylan jukebox musical from Conor McPherson.
In Peter Gray’s new comedy The Karens, he deconstructs what it means to be a Karen through the lens of three high school besties all named… Karen. The show, directed by Michael Alvarez, is a hilarious exploration of privilege, reclamation, and interaction within the digital world. I recently caught up with the playwright and chatted about what it was like to create the piece.
On a deeper note, I Hate It Here from the Goodman Theatre admits that so many horrible things in the world remain unchanged. The show does not suggest things will get better. Yet, if we take a moment to admit how bad things are, maybe we can find some common, solid ground. And that’s a start.
"Sloppy Bonnie: A Roadkill Musical for the Modern Chick" is streaming now through July 15 from No Puppet Co.
Junkyard Dog Productions has announced that the Tony and Olivier Award-winning musical Come From Away will resume performances on September 21, 2021 at the Gerald Schoenfeld Theatre.
The production, part of The Public Theater’s 2021 Under the Radar Festival, reveals little to its two audience members before it begins. I was told to call a number at a certain time, where I would find a stranger on the other end.
The play, commissioned specifically for a digital platform, is the latest offering from PlayCo and Woolly Mammoth Theatre Company, in association with American Repertory Theater, Guthrie Theater, and Oregon Shakespeare Festival.
The Arlekin Players Theatre’s interactive performance proves that digital, distanced theatre can be a compelling medium. In fact, it’s a medium with incredibly high stakes.
