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Theatrely's Broadway review of Punch by James Graham at the Samuel J. Friedman Theatre home to Manhattan Theatre Club in New York City

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A Rather Excellent WAITING FOR GODOT — Review

September 28, 2025

By

Juan A. Ramirez

on

September 28, 2025

Theatrely's Broadway review of Samuel Beckett's Waiting For Godot starring Keanu Reeves and Alex Winter and directed by Jamie Lloyd at the Hudson Theatre in New York City.

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A September Off-Broadway Critic Roundup

September 24, 2025

By

Joey Sims

on

September 24, 2025

Theatrely's Off-Broadway roundup of House of McQueen, Bull, The Matriarchs, Holes in the Shape of My Father, and The Brother's Size.

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In SATURDAY CHURCH, We Are All Looking For Community — Review

September 24, 2025

By

Joey Sims

on

September 24, 2025

Theatrely's Off-Broadway review of Saturday Church a new musical featuring the music of Sia and Honey Dijon at New York Theatre Workshop.
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History You Won’t Find in Your Textbook In MEXODUS — Review

September 18, 2025

By

Andrew Martini

on

September 18, 2025

Theatrely's Off-Broadway review of Mexodus at Audible's Minetta Lane Theatre starring Brian Quijada and Nygel D. Robinson in New York City.

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ART: A Debate Over Devaluation — Review

September 16, 2025

By

Juan A. Ramirez

on

September 16, 2025

Theatrely's Broadway review of Art by Yasmina Reza starring Bobby Cannavale, James Corden and Neil Patrick Harris at the Music Box Theatre in New York City.

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IT'S ONLY A PLAY Is a Virtual Feast At George St. Playhouse — Review

June 22, 2021

By

Noah Pattillo

on

June 22, 2021

George Street Playhouse's final virtual production knocks it out of the park with Terrence McNally's "It's Only A Play"
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Immersive PERSOU In Chelsea Leaves Room For More — Review

June 3, 2021

By

Juan A. Ramirez

on

June 3, 2021

"Persou" is currently running at The Cell Theatre in Chelsea until June 12th.
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CRUELLA, The Joker Wears Puppies — Review

June 3, 2021

By

Juan A. Ramirez

on

June 3, 2021

Emma Stone and Emma Thompson star in "Cruella" which is currently in theatres and streaming on Disney+.
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THE DOOR YOU NEVER SAW BEFORE At Geffen Playhouse is Perfect Family Fun — Review

June 1, 2021

By

Jordanna Brody

on

June 1, 2021

If hiding vegetables in your child’s macaroni and cheese were a musical, it would be The Door You Never Saw Before: A Choosical Musical at the Geffen Playhouse. This interactive musical written by Matt Schatz is the latest offering in the Geffen’s Stayhouse series of performances via Zoom.
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Fake Friends Flip Reality on its Head with THIS AMERICAN WIFE — Review

May 23, 2021

By

Jacob Rivera-Sanchez

on

May 23, 2021

Jacob Rivera reviews “This American Wife” for Theatrely.
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IN THE HEIGHTS Lives Up To Its Name — Review

May 21, 2021

By

Juan A. Ramirez

on

May 21, 2021

See what our chief critic thought of IN THE HEIGHTS which hits theaters and HBO Max starting June 11.
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The ANIMAL WISDOM of Ghosts and Catfishes — Review

May 20, 2021

By

Juan A. Ramirez

on

May 20, 2021

A new filmed adaptation of her 2017 Bushwick Starr “musical seance”, ANIMAL WISDOM is co-produced by the American Conservatory Theater and Woolly Mammoth Theatre Company.
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LILIES Is No Fresh Bouquet — Review

May 19, 2021

By

Juan A. Ramirez

on

May 19, 2021

We sent our chief critic to one of the first indoor performances in the city, see what he thought of "Lilies" - currently playing at The Theatre Center Off-Broadway.
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TJ LOVES SALLY 4 EVER Sparks Change at SpeakEasy Stage — Review

May 4, 2021

By

Kaitlyn Riggio

on

May 4, 2021

“TJ Loves Sally 4 Ever” from SpeakEasy Stage Company in Boston is now running digitally through May 13, 2021.
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SHADOW/LAND a Stunning First Entry in Public’s ‘Katrina Cycle’ — Review

April 16, 2021

By

Juan A. Ramirez

on

April 16, 2021

Erika Dickerson-Despenza’s play shadow/land, presented as an audio production for the Public Theater, is a tremendous new work. As the first installment of an epic 10-play ‘Katrina cycle,’ it signals the beginning of what promises to be a staggering achievement in theatre which concerns itself with race, ecology, queer feminism, and human displacement.
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American Repertory Theater and Company One Are a HYPE MAN for Change in Virtual Production — Review

April 9, 2021

By

Jacob Rivera-Sanchez

on

April 9, 2021

Company One and American Repertory Theater’s virtual production of "Hype Man: a break beat play" similarly asks for the audience to live up to their responsibility and speak up amidst the long-intolerable face of racial injustice.
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ROW floats along on Audible — Review

April 8, 2021

By

Juan A. Ramirez

on

April 8, 2021

Williamstown Theatre Festival ends its season with Audible with a new musical "Row" from Daniel Goldstein and Dawn Landes.
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WAD at ACT in Seattle is a Powerful Tale — Review

April 8, 2021

By

Kaitlyn Riggio

on

April 8, 2021

Wad, written by Keiko Green, follows the development of a pen pal relationship between Jim, a prisoner on death row, and teenage Nyce, a high schooler. The Ameenah Kaplan-directed virtual world premiere presented by A Contemporary Theatre in Seattle stands out through its handling of timely topics and unique production among the ever-growing landscape of pandemic theatre.
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BLINDNESS In the Lonely Dark — REVIEW

April 6, 2021

By

Juan A. Ramirez

on

April 6, 2021

"Blindness" at the Daryl Roth Theatre is the first indoor theatrical experience available to New Yorkers since the outbreak of the COVID-19 pandemic.
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UNDER THE FREEWAYS OF LOS ANGELES Drives Murder Mystery Nowhere — Review

April 6, 2021

By

Zack Reiser

on

April 6, 2021

Who can you rule out? Which one is guilty? And what does it mean for the community of Boyle Heights? Those are the questions Echo Theatre Company forces us to answer in Under the Freeways of Los Angeles.
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RICH KIDS: A Crash of Revolution and Wealth at Woolly Mammoth — REVIEW

April 5, 2021

By

Juan A. Ramirez

on

April 5, 2021

Javaad Alipoor's "Rich Kids: A History of Shopping Malls in Tehran" is streaming now through April 18 from Woolly Mammoth Theatre Company.
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AMOUR: A Broadway Revival for the Digital Age — Review

April 2, 2021

By

Lara McCallister

on

April 2, 2021

Last seen on Broadway in 2002, "Amour" is now back in a virtual format.
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“Call Her Zari” - Williamtown’s WISH YOU WERE HERE on Audible — Review

April 2, 2021

By

Juan A. Ramirez

on

April 2, 2021

Once again, Williamstown flaunts an astute ear for material that lends itself beautifully to audio adaptation in partnership with Audible for "Wish You Were Here".
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Studio Theatre Preens its COCK Feathers in Evocative Streaming Production — Review

April 2, 2021

By

Jacob Rivera-Sanchez

on

April 2, 2021

Emblematic of the blood sport from which the play was inspired, Studio Theatre’s streaming production of Cock exposes the rawness and vulnerability of the self-sparring human spirit.
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PARADISE BLUE Finds Its Grace Note on Audible — Review

March 24, 2021

By

Juan A. Ramirez

on

March 24, 2021

Dominique Morriseau’s "Paradise Blue", directed by Ruben Santiago-Hudson is now available on Audible, from Williamstown Theatre Festival.
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George Street Playhouse’s FULLY COMMITTED Cooks Up The Laughs — Review

March 23, 2021

By

Kobi Kassal

on

March 23, 2021

Becky Mode’s hilarious "Fully Committed" now steaming through April 11 from George Street Playhouse starring Maulik Pancholy.
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OOTB’s Virtual THE LAST FIVE YEARS Is Pandemic Theatre At Its Best — Review

March 21, 2021

By

Kobi Kassal

on

March 21, 2021

Out of the Box Theatrics is known for taking theatre and scaling it down to its core of the story, and their latest production of Jason Robert Brown’s "The Last Five Years" is more evidence that even throughout a global pandemic, the young Off-Broadway company continues to produce riveting and gorgeous content — now for the digital audience. 
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THE SOUND INSIDE’s Minimalism Comes to Life In Audiobook Form on Audible — Review

March 18, 2021

By

Zack Reiser

on

March 18, 2021

Audible's latest theatrical offering includes Mary-Louise Parker and Will Hochman who star in THE SOUND INSIDE.
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ROMEO Y JULIETA Gets Lost in Translation at Public Theater — Review

March 18, 2021

By

Juan A. Ramirez

on

March 18, 2021

In Romeo y Julieta, the Public Theater’s latest foray into audio plays, she proves that a rose in any other medium (and language) smells and sounds as sweet. Unfortunately, her rose is surrounded by the thorns of misguided intentions.
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THE CONJURORS’ CLUB at A.R.T. Brings Magic To Your Homes — Review

March 18, 2021

By

Kobi Kassal

on

March 18, 2021

The Conjurors' Club is a new interactive experience from the American Repertory Theater which brings magicians right into your living room.
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THE PICTURE OF DORIAN GRAY Is Now Digital for the Modern World — Review

March 16, 2021

By

Kobi Kassal

on

March 16, 2021

Turned on its head for our digitally obsessed brains by writer Henry Filloux-Bennett, The Picture of Dorian Gray lives on in an imaginative new adaptation that brings the musings of Wilde right into modern day.
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Paul Harvard’s GHBoy Doesn’t Reach the Highs It Aims To Portray — Review

March 14, 2021

By

Zack Reiser

on

March 14, 2021

GHBoy’s ambitions are admirable in how it tries to address many misconceptions surround gay culture, and specifically gay hookup culture: drug use, casual sex, the stigma of HIV positivity, and more. But just when you think GHBoy is going to say something profound about any one of these topics we immediately move on
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