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Theatrely's Broadway review of Every Brilliant Thing starring Daniel Radcliffe and written by Duncan Macmillan and Jonny Donahoe at the Hudson Theatre in New York City.

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An Astounding WHAT WE DID BEFORE OUR MOTH DAYS Downtown — Review

March 8, 2026

By

Joey Sims

on

March 8, 2026

Theatrely's Off-Broadway review of What We Did Before Our Moth Days downtown at the Greenwich House Theater in New York City by Wallace Shawn.

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Lauren Yee’s Back With MOTHER RUSSIA — Review

February 23, 2026

By

Joey Sims

on

February 23, 2026

Theatrely's Off-Broadway review of Lauren Yee's Mother Russia at Signature Theatre in New York City.

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THE MONSTERS & THE DINOSAURS Are Off-Broadway — Review

February 18, 2026

By

Juan A. Ramirez

on

February 18, 2026

Theatrely's Off-Broadway reviews for The Monsters at Manhattan Theatre Club and The Dinosaurs at Playwrights Horizons
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THE UNKNOWN Is A Riveting New Solo Show — Review

February 13, 2026

By

Joey Sims

on

February 13, 2026

Theatrely's Off-Broadway review of The Unknown starring Sean Hayes at Studio Seaview in New York City.

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THE DISAPPEAR Puts The Manchild Front and Center

February 6, 2026

By

Joey Sims

on

February 6, 2026

Theatrely's Off-Broadway review of The Disappear by Erica Schmidt at Audible's Minetta Lane Theatre in New York City.

More reviews
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Signature Theatre’s THE COLOR PURPLE Draws on the Musical’s Rich History

October 4, 2022

By

Nathan Pugh

on

October 4, 2022

The production is currently running through October 9 at the D.C.-area theatre.
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COST OF LIVING Considers Love and Mutual Care — Review

October 3, 2022

By

Joey Sims

on

October 3, 2022

Theatrely's Broadway review of Martyna Major's Cost of Living, directed by Jo Bonney. The play features Gregg Mozgala, Katy Sullivan, Kara Young, and David Zayas.
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LEOPOLDSTADT Makes It To Broadway With More Work To Go — Review

October 2, 2022

By

Juan A. Ramirez

on

October 2, 2022

Theatrely's Broadway review of Leopoldstadt by Tom Stoppard and directed by Patrick Marber at the Longacre Theatre in New York City.
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WEIGHTLESS Is an Enjoyable, Disjointed Mythical Adaptation With Rock Music

September 29, 2022

By

Amanda Marie Miller

on

September 29, 2022

The latest project from The Kilbanes is now playing at WP Theater. 
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AMERICAN TELE(VISIONS) Dazzles Technically With Nostalgic Vibes

September 29, 2022

By

Amanda Marie Miller

on

September 29, 2022

The play from NYTW’s Tow Playwright-in-Residence Victor I. Cazares is now playing Off-Broadway.
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FC Bergman’s 300 EL x 50 EL x 30 EL Shocks and Awes at BAM

September 29, 2022

By

Nolan Boggess

on

September 29, 2022

The work is now playing at the Brooklyn institution’s Next Wave Festival. 
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Funny STRANGER SINGS Is Fan Service Done Mostly Right – Review

September 22, 2022

By

Dan Meyer

on

September 22, 2022

The musical returns to Off-Broadway, this time at Playhouse 46 at St. Luke's in NYC.
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THIS BEAUTIFUL FUTURE Is Glossy But Bleak — Review

September 20, 2022

By

Juan A. Ramirez

on

September 20, 2022

Theatrely's Off-Broadway review of This Beautiful Future by Rita Kalnejais, directed by Jack Serio at the Cherry Lane Theatre in New York City.
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SESAME STREET: THE MUSICAL Offers Charm and Theatre Jokes Galore

September 19, 2022

By

Dan Meyer

on

September 19, 2022

The latest from John Rockefeller Productions is now playing Off-Broadway at Theatre Row. The score includes songs by Tony winner Tom Kitt and KPOP composer-lyricist Helen Park. 
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Woolly Mammoth’s AIN’T NO MO’ is a Brilliant Satire of Post-Obama Black America — REVIEW

September 19, 2022

By

Nathan Pugh

on

September 19, 2022

Jordan E. Cooper's play, coming to Broadway in November, is in performance at the regional theatre through October 9.
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A New SING STREET Builds More Hope — Review

September 8, 2022

By

Joey Sims

on

September 8, 2022

Theatrely's review of Sing Street at the Huntington Theatre Company in Boston. Directed by Rebecca Taichman and choreographed by Sonya Tayeh, the musical is written by Enda Walsh, Gary Clark, and John Carney.
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KATE Berlant Is Going To Hell — Review

September 7, 2022

By

Juan A. Ramirez

on

September 7, 2022

Kate Berlant is going to hell for making a show this good, exhaustive, exhausting, and exhilarating. Her self-titled one-woman show, sharply directed by Bo Burnham, is like a Marina Abramović circle jerk staged in a proscenium—in the best way. A mostly false, somewhat emotionally true recounting of her journey to stardom, it is the funniest thing onstage in New York this year.
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Daniel K. Isaac’s ONCE UPON A (KOREAN) TIME Is a Heroic Debut and a Sea of Spectacle – Review 

August 31, 2022

By

Amanda Marie Miller

on

August 31, 2022

The world premiere by Ma-Yi Theater Company, playing at La MaMa Off-Broadway, excels in storytelling.
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Glitter, Grindr, and the ghost of Abraham Lincoln in LAVENDER MEN – Review

August 23, 2022

By

Rachel Hsu

on

August 23, 2022

Theatrely's review of Lavenden Men, by Roger Q. Mason at Los Angeles' Skylight Theatre stars Alex Esola and Pete Ploszek.
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LEGERDEMAIN Marvels Downtown

August 11, 2022

By

Kobi Kassal

on

August 11, 2022

A new intimate parlor show from the minds of Jonathan Levit and Benjamin Schrader is now running in the East Village of New York.
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THE BUTCHER BOY Is a Messy and Beguiling Journey Worth Exploring — Review

August 5, 2022

By

Joey Sims

on

August 5, 2022

The musical adaptation by Asher Muldoon is currently playing Off-Broadway at the Irish Repertory Theatre.
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Arena Stage’s AMERICAN PROPHET is a Stiff Portrait of Frederick Douglass — Review

August 5, 2022

By

Nathan Pugh

on

August 5, 2022

‍The musical from Charles Randolph-Wright and Marcus Hummon is playing in Washington, D.C. through August 28.
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THE KITE RUNNER Pulls a Weak String — Review

July 21, 2022

By

Juan A. Ramirez

on

July 21, 2022

Remember the last Bush era? How dusty and militarized it all felt? Maybe that’s just how I was introduced to the country when I moved here in 2005. All footage of “the Arab world” was shot with an ugly, yellowed lens and all media surrounding it was either grossly propagandistic or, on the other side, pretty corny in its attempt to humanize the people. (Same thing happened with Mexico and the cartel-border of it all, but that’s another story).
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RICHARD III and BETWEEN THE LINES Two Stories, One Arena — Review

July 11, 2022

By

Juan A. Ramirez

on

July 11, 2022

Theatrely's Off Broadway reviews of Between the Lines at the Tony Kiser Theatre and Richard III at the Public's Delacorte Theatre.
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A Sublime INTO THE WOODS Kicks Off A New Season — Review

July 10, 2022

By

Joey Sims

on

July 10, 2022

Theatrely's Broadway review of Into The Woods by Stephen Sondheim which is now open at the St. James Theatre in New York City. The cast includes Patina Miller, Sara Bareilles, Brian d'Arcy James, Julia Lester, Gavin Creel, and more!
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Timely THE BILLBOARD Offers Multiple Viewpoints on Abortion — Review

July 8, 2022

By

Emily McClanathan

on

July 8, 2022

Natalie Y. Moore’s play is currently playing at the 16th Street Theater in Chicago. 
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TITANIQUE Steers the Right Way — Review

July 7, 2022

By

Juan A. Ramirez

on

July 7, 2022

Theatrely's Off-Broadway review of Titanique, a parody musical of Titanic starring Marla Mindelle, and directed by Tye Blue. The show is now in performance at Asylum NYC through September.
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Queer Black Men Forge Spaces of Care in THE HOT WING KING – REVIEW

July 6, 2022

By

Nathan Pugh

on

July 6, 2022

Katori Hall’s Pulitzer Prize–winning play is now running at Studio Theatre in Washington, D.C., through July 31.
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Mosaic Theatre’s IN HIS HANDS Stages Tender (and Religious) Queer Intimacy — Review

July 5, 2022

By

Nathan Pugh

on

July 5, 2022

Theatrely's review of In His Hands by Benjamin Benne now in performance at Mosaic Theatre in Washington DC.
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Language Is King in Another Modern HAMLET — Review

July 1, 2022

By

Joey Sims

on

July 1, 2022

Theatrely's Off-Broadway review of Robert Icke's adaptation of Hamlet starring Alex Lawther now in performance at the Park Avenue Armory.
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Othello Speaks to and Undermines Reality in RED VELVET – Review

June 28, 2022

By

Nathan Pugh

on

June 28, 2022

Lolita Chakrabarti's play is now running at D.C.’s Shakespeare Theatre Company through July 17.
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An EPIPHANY Muddled By Vagueness — Review

June 24, 2022

By

Juan A. Ramirez

on

June 24, 2022

Theatrely's Off-Broadway review of Epiphany by Brian Watkins, directed by Tyne Rafaeli is now in performance at Lincoln Center Theatre.
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